rock

Looking to The Skies

Ever since the dawn of mankind, man has been looking up to the skies for everything ranging from inspiration and direction to meditation and as part and parcel of a sense of curiosity. I tend to think it is ingrained somewhere deep in the very fabric of us all. To look at something deeper and much more larger than us and feel content with the mysteries of the universe.

It's with a similar feeling I started working on another track with friend and collaborator Aishwarya. It started once again, the usual way. I played a piano rhythm track on top of an electronic beat and sent it to him. What he created on top of that was pretty huge. He sent me back about 40 stems if I remember correctly, and it was absolutely mental going through all of them.

What I love about collaborating with other musicians is the fact that sometimes you create something that you feels vibrates from the essence of your being, and they will take it and make it their own instead. It's exchange of ideas that goes way beyond all the artificial ties and friendships we all have. It's something so untainted, so true. The fact that it exists is what makes you want to go on making music. It's the feeling you live for, as a musician.

As days and weeks passed by, I slowly ploughed through each one of them, EQ'ing, mixing and compressing them, shaping and moulding what the building blocks of the track were. Lots of times, some things wouldn't fit the way he arranged it so I would flip it around, add a couple of effects and try something new. It's always good to progress and evolve. That's what music is for me, a whirlwind of constant change.

Ultimately after about a couple of months, and some added feedback by Uniyal, I put this track up on Soundcloud. And I realised there was something very spacey and other-worldly about this track. That feeling of being a kid and having an entire universe in front of you to explore and discover, that's the feeling I wanted to convey.

One doesn't have to always get old. You just have to stay true to your heart.

Time to watch a movie. About aliens.

 
 

The Lighter Parts

There is always, a defining moment for every music score, an apex. A point of climax where everything that you've come to know through it is questioned and you know you're at the zenith of all that the movie stands for. To reach that point one has to take into consideration every shaping element in a movie and experience it objectively through your own eyes. This movie in particular has an entire domain that constitutes what I call 'The Sum of Lighter Parts'.

What is that, you ask? Of course like any other movie, there is drama, action and suspense. But what really defines it and really set it apart are the light moments, that in their unique way shine light towards human nature and what its really like to be human and alive between trials and tribulations. To see the happier side.

There are about two-three tracks that I plan to keep on the lighter side. And their placements are just crazy. While one is sandwiched right between the main theme and a really sombre piece of music, the other one was right before a romantic sequence.

I think the more fun I had was probably on the first one. I called it 'Downtown Shuffle (Munchies)'. Munchies, yes. As ridiculous as it sounds, it was probably just the guy running around a supermarket trying to figure his shit out. I made a hunch and figured he must have his headphones on, and made the music in such a way that it faded in from the crowd ambience like a low-pass filter with a subtle radio effect.

I think I've established already that the sound needs to be more jazz-centric in most places. Of course the action sequences ae exceptions to everything. I really had quite a ball composing Munchies. It was like a fun 2-minute jazz-rock track which sounded like a band just having a lil' bit of fun.

 
 

Then there was the other track, where I think I took the jazz-influence a little too far. It mostly had me playing some very complex chords on the piano. I tried making the piano go through a lot of processing but I guess it came out unique in the end. It was quite a unique electric-meets-boxy effect. 

I think this track came in at a perfect time where all the action and the drama has the viewer quite saturated, and things just go easy on you for a while. There's a synth-line going in the background and then the xylophone adds a nice playful touch before the jazz-piano chords kick in. It was a like nice evening in Hawaii.

I think the jazz influence is something I won't be able to shake off for a while.

Time for food.