More months, more monotony. I keep doing some work or the other to keep myself busy. I believe its essential to keep changing, and keep finding new avenues to test and challenge yourself and your abilities. While there has been the occasional advertisement, trailer or promotional video I keep getting to make music for, at the studio. Been rarely anything the last couple of months that really piqued my interest in terms of concept, or art in film.
About a month ago, I got a message from one of those students at National Institute of Fashion Technology whose movie's music I worked on a few months ago. She told me there was an interesting project that some of her friends were working on. It was a documentary about a deaf and mute wrestler, and they wanted somebody who was good at sound design.
I got in touch with these people, and met them a few days later near the studio I worked in. They asked me to have some chai with them while they discussed the idea and introduced me to it. The movie was supposed to be called 'Goonga Pehelwaan'. While I had gone there with some skepticism, it seemed that they had elaborate sketches and storyboards with them, which showed exactly what they wanted. They sounded professional.
I decided to take them up on the offer, since it was quite an interesting one. They told me they had sounds of all kinds of daily activities and articles like a guy riding a bike, somebody tearing up paper, brooms, candles, papers, trains, roads, phones and basically every sound under the sky and they wanted me to arrange them all in such a way that things went from systematic to chaotic.
The main concept of the whole track would be the fact that the person can only hear, not see, speak or talk. They were of course very particular about the sounds they wanted so they decided they'd record the sounds themselves and send them to me to arrange and make a track out of.
I spent a lot of time working on the track. I think it almost took me a week to salvage an arrangement out of all the sounds they sent. There were about a couple hundred of them, roughly. Lots of times, the sounds wouldn't be in the same format or not be clearly recorded. I'd end up replacing a lot of them with clearer samples or worse, trying to restore them.
It was a gruelling and mind-numbing experience for me. Working on half a minute of audio for two weeks is no joke, period. I kept putting layers upon layers of all these samples that started almost at a four-bar beat but ended up being like a cacophony.
Now, even with cacophony there are rules. That's something I realised while working on the track. I could have haphazardly arranged all the samples in a way that it would actually 'sound' like cacophony, but the art of sound design is understanding the unspoken. I realised what they really wanted was not actually cacophony but a more refined form of cacophony, something that would exude logic and be sophisticated at the same time make no compromises with noise.
Two of my favourite samples throughout the lot was the train sample and another sample of cars passing by that I EQ'd such that the honking and the city ambience would be more prominent. Making certain sounds prominent and making some duck around and provide a framework is what made the track tick, I suppose.
Later, when I saw the finished video, I liked the way they used the various frames of video and combined them to create a something visually stimulating as well as something that would give the viewer something to think about. You can also check their website out at www.goongapehelwaan.com
Time to get some coffee, I suppose.