As I sit and give some thought to what I was doing the past week amid the chaos and repetition of an NIN album from 2005 playing in the background, I have realized quite a few things. One of them primarily being that mixing, recording and producing a song is like diffusing a time bomb. Especially when its not your own. You know you're handling a bomb when there's a sweat on your brow and you're fidgety as fuck about everything. Green wire? Red wire? Do you create a bypass circuit. Do you try hacking digitally? There are millions of way you can go about it, to be honest. But what really defines whether the song is going to explode or not is what decision you take.
To be frank, that's always too much power in one person's hand. And like I said before. More power, more responsibility. The fact that one small line you draw on the automation of a track on a Cubase can make or break someone else's career is heavily scary, empowering and kind of, a buzz-kill. But still, you try to do your best, always. Sometimes you succeed.
TACKLING THE BOMB
As a guy who's just put a couple of steps into the proverbial ocean of what is known as producing metal music, I've realized programming drums is a real pain in the arse (and mixing as well, lest I forget) I know some people who are pretty good at getting rhythms and writing them down on a drum roll. But, I'm not one of those people. My drumming abilities have always been noobish to say the least. And that's where the setup helped. I had MIDI hooked up to the computer and fortunately, the drummer was kind enough to tap that stuff down on the keys. Things became a little easier from there onwards.
Guitar tracking followed, with nothing except the click at the back.This was also around the time that I figured it was not such a great idea.
Guitarists get sloppy when they just have a click. Lesson learnt.
Lesson #2 - Two takes are never enough for a clean guitar part. Especially when they're both messed up.
Lesson #3 - Editing guitars on the go > Editing later
Layers upon layers of guitars were stacked up on top of each other. Not all as good as you might think. Recording four takes of everything always helps.
Lesson #4 - The more guitars, the greater the awesome