Here are a few examples, people exchanging mixtapes internationally via real mail is actually witnessing an increase, more and more people have been buying music on vinyl for the past decade now, Bandcamp is popular than ever. I think it's important to see the trend here, and extrapolate it to what this trend will eventually lead to.
Recently, I found out about a platform known as FanHub that helps artists tailor and create their own Facebook Messenger bots for their artist page. I found this fascinating primarily because it goes really well with the idea that more and more music consumers are now open to ditching traditional ways of interacting with artists and accessing exclusive material than ever before, and this speaks volumes about how there is a shift in thinking of the current generation. Being a video game enthusiast, I couldn't help wondering about what would happen if somebody created an ARG (alternate-reality game) using only a Facebook messenger bot. I am pretty sure at this point that choosing to let people and possible fans engage with you personally via Messenger could perhaps be lot better in terms of reach. Sadly, the service that FanHub offered seemed to be a lot more time and effort than I could afford. Hence, over the next month or two, I shall try and figure out the Facebook Messenger API, and try developing my own bot. If it works, cool. If not, I'll bury it.
Moving on, plenty of news this month on the music and audio front. For one, I just recently finished working on the music for the Life in a Kilt podcast, which consisted of a mixture of genres as wide as rock and folk to glitch-hop and synthpop. Fun stuff. Earlier this October, a movie, 'Figure A' that I mixed sound for premiered at Cinesonika 5, a reputed film festival and conference that focuses exclusively on sound design and music for films and visual media. It happened for the first time in the United States and I was super stoked to know that happened. You can check out the trailer here.
Coming back to something that is an extension of the idea of using bots to create narrative experiences, this month I decided to combine two rather disconnected fields to create something that is new and rather interesting. I curated a Spotify playlist and wrote a generative poem at the same time! Now, the Spotify API is known to have the ability to fragment sentences into words that can form tracks of a playlist. I decided to reverse engineer it's process in thought. Have a look below. What I eventually hope to do is create a tool that lets you generate a poem on any particular topic and then turn it into a Spotify playlist as well.
What's fascinating though, is there are always a number of words that can be songs from completely different genres, and simply the task of crafting this playlist led me to discover some interesting new music. There is also the fact multiple songs could have the same word as the song name, and in that case there could be a certain amount of chance thrown into the algorithm for it to be able to decide which of the tracks are suitable for the playlist. I am going to leave this here in itself, and hope that next time I shall be able to pick up on this.
Who says you can't write a poem and curate a playlist at the same time?