Then there's landscaping. If you build only roads and forget necessities, your town is going to be messed up. People won't turn up to live in your city if it's full of beautiful scenic places but has small and shitty houses. You always need the right balance. You can always skew it a bit left or right, to add the human touch. But if one extreme is absent, you risk making the whole structure fall apart to chaos and uncertainty.
I hope you get the analogy. It matters to see everything in perspective when you're working on a project. It might take a few minutes and a cup of coffee or three 17-hour sleep days to get that golden idea or unique concept in your head, but at the end of it all, Believe me. It is the only thing shining through like a light throughout your city when you're done. The golden idea. The concept. Art can only go so far without a concept. Because truth is, you need a concept to sell your art, to make it bankable and establish a value of trust, money and time with it. It is what makes you legit.
When I was called back to Motion Punch Studios in February this year, there was a spring in my step and a unique confidence in myself that I didn't have probably six months ago, things had changed. They were different. With a lot more projects under my belt, I had the belief in myself that I could try new things and come out on top regardless of the risks and complications. I was living a better life. Work was enough, and everything was weirdly working out in life.
I was introduced to a new concept for a game. I found it interesting and 'smart'. Since the concept was based on smarts and brains, I thought it would be great to begin with a score that was more on the organic and real side and slowly make it evolve into something electronic. Even though I had tried a similar concept before, I probably hadn't tried it from a viewpoint like this.
The score began with the dominating motif on xylophones and a slow percussion and as the score progressed different melodies and elements just melted into each other. There was transformation and evolution. There was a certain 'catch' to the whole score. It was not long. Five tracks that clocked not more than a minute and a half. You need a certain tact to make scores short and concise and I, in particular have a bad habit of making tracks really long and I usually suffer because of it. I have to go back and shorten it, always.
It was not an easy task to create different melodies and chord progressions in such a way that they all had a different 'sonic signature' but somehow came together effortlessly as if made for each other. Creating sound, is indeed the art of making the impossible, possible.
As I finished the score and sat listening to the almost six-minute track on my home studio monitors, I was quite happy. I had tried endlessly for days to challenge myself and create something that was unique, organic in the beginning. Not just that, it transformed into something different and that was something I had never expected. In a good way, of course.
Time to play Bioshock again.