The concept of modes and their relation to scales in the musical sense seemed to be a point of discussion and I have decided to look through modes more carefully and try and grasp a little more over the period of the next few months. There was also a lot of talk and discussion about the blues, and not so surprisingly not many people in the audience even knew for certain what the 12-bar blues were. I've tried grasping and dabbling with that idea before, but to limited success.
At the same time, I found myself experimenting a lot more with synths than before at Ebonix jams, even before and after it. I've managed to add all kinds of tweaks and modulations to the patches I made for some of the songs initially. I find myself constantly changing up things. Sometimes I've been met with resistance and 'what the hell was that, bro?!' comments. But all in zest and goodwill, I hope.
I have always been a more experimental person in terms of sounds I like in music I make, while some idiosyncrasies have been accepted in the past as long as it suited the song, I don't know if that would continue. It shall be revealed, all in time.
Going one step further we asked Pranav while we were at the workshop to try and improvise over that particular pattern, and it seemed to almost elude him as well. Music, I tell you never ceases to amaze and make you wonder.
Crazy? Yes. Kind of.